Vice takes its toll in Opium (1919).
On Thursday, May 2, the National Film Preservation Foundation will co-present “Amazing Tales from the Archives” at the San Francisco Silent Festival. This free lecture program, begun in 2006, features archivists from around the world presenting field reports on new and exciting preservation projects. This year audiences will enjoy four presentations from leading film preservationists and scholars.
Starting from the formative years of cinema, researcher Thierry Lecointe and SFSFF President Robert Byrne will reveal cinematic discoveries from turn-of-the-century flipbooks. Next, Munich Filmmuseum director Stefan Drössler will guide the audience through the restoration of Opium (1919). Directed by Robert Reinert and starring Werner Krauss and Conrad Veidt, this exotic, hallucinatory tale of addiction and betrayal among doctors … Read more
Friday, March 22 marks the registration deadline for the National Film Preservation Foundation’s federally funded grant program, made possible by the Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2016.
The NFPF offers two types of federal cash grants that support the preservation of historically and culturally significant American films. Completed applications will be due Friday, April 26, 2019.
Basic Preservation Grants fund laboratory work to create preservation masters and access copies, and are open to nonprofit and public institutions in the United States that provide public access to their film collections. Please note the awards have increased this year and now range from $1,000 to $20,000.
Matching Grants help experienced institutions undertake larger-scale projects; applicants may request cash stipends of between $20,001 and $75,000 to fund … Read more
Christopher Walken knows many secrets as The Boy Who Saw Through (1958).
The National Film Preservation Foundation wishes you a festive holiday season! Should you wish to celebrate with some eclectic home viewing, take a look at three additions to our Online Screening Room: the urban western Soft Shoes (1925), starring Harry Carey; The Boy Who Saw Through (1958), produced by the legendary animator Mary Ellen Bute and starring a 14-year-old Christopher Walken; and Code Blue (1972), an inspiring recruitment film for minorities in the medical profession, produced by Blackside Inc., the company behind Eyes on the Prize. Taken as a set, these titles testify to the variety of films preserved through our grant program.
Recently rediscovered at the Czech National Film Archive, Soft Shoes is a charming short feature starring Harry Carey as a small-town sheriff who visits San … Read more
Oliver Hardy menaces Jimmy Aubrey in The Backyard (1920).
A rich mix of fiction and non-fiction films has joined the NFPF website’s screening room
. All are freshly preserved products of the NFPF’s ongoing partnership with EYE Filmmuseum in Amsterdam. Unseen since their original release more than 90 years ago, these movies are accompanied by new music from acclaimed silent film accompanists Stephen Horne, Ben Model, and Michael Mortilla, and by program notes from scholars and film experts. The preservation and web presentation of the nonfiction films was made possible through a generous grant from the National Endowment for the Humanities.
Two comedies were preserved under the direction of the Library of Congress and are presented with notes from silent comedy historian Steve Massa. The Backyard (1920) is a Vitagraph studio comedy, featuring a pre-Laurel Oliver Hardy as the villain, set … Read more
Stan VanDerBeek's Skullduggery (1960)
Seven Stan VanDerBeek films from the 1950s and ’60s, a trio of acclaimed experimental visions from Marjorie Keller, and an animated cut-out film from Flora Mock will be preserved through the 2018 Avant-Garde Masters Grants, awarded by The Film Foundation and the National Film Preservation Foundation. All told, 11 films will be preserved and made available through this year’s grants.
“Stan VanDerBeek is one of the major American Avant-Garde film artists,” writes P. Adams Sitney, Professor Emeritus of Visual Arts at Princeton University and one of the most prominent writers on American experimental cinema. “He was a prophet of the emerging multimedia and a proponent of the power of those media for political satire. As soon as he began to make and exhibit films, his originality and wit were manifest. In the period between 1957 and 1965 … Read more