Articles tagged streaming video
15 Video Upgrades Now Online
Thanks to the generosity of the Audio-Video Conservation Center at the Library of Congress 15 videos on the NFPF website have received high-definition upgrades. The films, preserved and first uploaded more than a decade ago, have been recently scanned by the Library, and viewers will appreciate the jump in visual quality.
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Rips and Rishes (1917), directed by Larry Semon, now in HD. |
Two films are from the “Lost and Found: Australia” project, begun in 2008 to preserve and make available American silent films found in the National Film and Sound Archive of Australia. The Prospector (1912) is a one-reel Western from the Essanay studio, while U.S. Navy of 1915 (1915) is a fragment from a documentary by Lyman H. Howe promoting American naval preparedness. Both were preserved by the Library of Congress with NFPF support.
The 13 remaining films are from “Lost and Found: New … Read more
Artist’s Spotlight: Cornelia Chapin
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Cornelia Chapin at work on her prize-winning sculpture Young Elephant. |
For Women’s History Month the NFPF is calling attention to the home movies of Cornelia Van Auken Chapin (1893–1972), preserved through an NFPF grant by the Archives of American Art, a unit of the Smithsonian Institution
Cornelia Chapin was a sculptor who specialized in creating stone and wood sculptures of animals through the direct carving method, which favored sculpting directly from life, without the use of models or casts. Artists in this movement, which rose to prominence after 1915, believed in the “truth of materials”—that a finished work of art should display the inherent properties of the raw material it was sculpted from. Very little period footage of artists engaged in direct carving exists, and during this period there was more documentation of male than female sculptors—these factors make Chapin’s home movies even … Read more
Listening to Gordon Parks
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Gordon Parks looks back on his life's journey in Listen to a Stranger (1973). |
During a month that celebrates the history and accomplishments of African Americans, it’s more than appropriate to highlight Listen to a Stranger: An Interview with Gordon Parks (1973). Preserved through a 2019 NFPF grant by Washington University in St. Louis, this once-rare documentary honors an artist whose work in photography and film were equally groundbreaking.
Gordon Parks (1912–2006) trailblazed with his camera; starting at the Farm Security Administration he became the first African American staff photographer at Life magazine, documenting myriad aspects of American life during the onset of the Civil Rights era. By 1969 he had moved into cinema with The Learning Tree, adapted from his own novel, becoming the first African American to direct a major Hollywood studio feature. His next film was the seminal Blaxploitation … Read more
Now Online: Harry Carey, Christopher Walken, and Code Blue
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Christopher Walken knows many secrets as The Boy Who Saw Through (1958). |
The National Film Preservation Foundation wishes you a festive holiday season! Should you wish to celebrate with some eclectic home viewing, take a look at three additions to our Online Screening Room: the urban western Soft Shoes (1925), starring Harry Carey; The Boy Who Saw Through (1958), produced by the legendary animator Mary Ellen Bute and starring a 14-year-old Christopher Walken; and Code Blue (1972), an inspiring recruitment film for minorities in the medical profession, produced by Blackside Inc., the company behind Eyes on the Prize. Taken as a set, these titles testify to the variety of films preserved through our grant program.
Recently rediscovered at the Czech National Film Archive, Soft Shoes is a charming short feature starring Harry Carey as a small-town sheriff who visits San … Read more
Now Online: Six More Films from the EYE Project
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Oliver Hardy menaces Jimmy Aubrey in The Backyard (1920). |
Two comedies were preserved under the direction of the Library of Congress and are presented with notes from silent comedy historian Steve Massa. The Backyard (1920) is a Vitagraph studio comedy, featuring a pre-Laurel Oliver Hardy as the villain, set … Read more