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Register for a 2019 NFPF Grant by March 22!
Friday, March 22 marks the registration deadline for the National Film Preservation Foundation’s federally funded grant program, made possible by the Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2016.
The NFPF offers two types of federal cash grants that support the preservation of historically and culturally significant American films. Completed applications will be due Friday, April 26, 2019.
Basic Preservation Grants fund laboratory work to create preservation masters and access copies, and are open to nonprofit and public institutions in the United States that provide public access to their film collections. Please note the awards have increased this year and now range from $1,000 to $20,000.
Matching Grants help experienced institutions undertake larger-scale projects; applicants may request cash stipends of between $20,001 and $75,000 to fund … Read more
Now Online: Harry Carey, Christopher Walken, and Code Blue
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Christopher Walken knows many secrets as The Boy Who Saw Through (1958). |
The National Film Preservation Foundation wishes you a festive holiday season! Should you wish to celebrate with some eclectic home viewing, take a look at three additions to our Online Screening Room: the urban western Soft Shoes (1925), starring Harry Carey; The Boy Who Saw Through (1958), produced by the legendary animator Mary Ellen Bute and starring a 14-year-old Christopher Walken; and Code Blue (1972), an inspiring recruitment film for minorities in the medical profession, produced by Blackside Inc., the company behind Eyes on the Prize. Taken as a set, these titles testify to the variety of films preserved through our grant program.
Recently rediscovered at the Czech National Film Archive, Soft Shoes is a charming short feature starring Harry Carey as a small-town sheriff who visits San … Read more
Now Online: Six More Films from the EYE Project
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Oliver Hardy menaces Jimmy Aubrey in The Backyard (1920). |
Two comedies were preserved under the direction of the Library of Congress and are presented with notes from silent comedy historian Steve Massa. The Backyard (1920) is a Vitagraph studio comedy, featuring a pre-Laurel Oliver Hardy as the villain, set … Read more
11 Films to be Preserved Through Avant-Garde Masters Grants
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Stan VanDerBeek's Skullduggery (1960) |
Seven Stan VanDerBeek films from the 1950s and ’60s, a trio of acclaimed experimental visions from Marjorie Keller, and an animated cut-out film from Flora Mock will be preserved through the 2018 Avant-Garde Masters Grants, awarded by The Film Foundation and the National Film Preservation Foundation. All told, 11 films will be preserved and made available through this year’s grants.
“Stan VanDerBeek is one of the major American Avant-Garde film artists,” writes P. Adams Sitney, Professor Emeritus of Visual Arts at Princeton University and one of the most prominent writers on American experimental cinema. “He was a prophet of the emerging multimedia and a proponent of the power of those media for political satire. As soon as he began to make and exhibit films, his originality and wit were manifest. In the period between 1957 and 1965 … Read more
24 Films Join the NFPF's Online Field Guide to Sponsored Films
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Once Upon a Time (1934) |
Today the NFPF adds 24 films to its Online Field Guide to Sponsored Films, a free digital screening room that presents entries from The Field Guide to Sponsored Films, written by Rick Prelinger and published by the NFPF in 2006.
These additions bring the total amount of titles to 159. All of the films were commissioned by a host of American businesses, charities, advocacy groups, and governments, and intended to promote commercial products, highlight good works, bring attention to social causes, and explain government programs.
Among the highlights are two drivers’ safety films: Last Date (1950) introduced the word “teenicide” into the English language, while the cartoon Once Upon a Time (1934) features the good fairies “Carefulness” and “Courtesy” preventing car crashes.
Another pair of films praise public libraries: Portrait of a Library (1940) profiles … Read more